I am an idiot.
I shiver and hug myself, frantically rubbing my arms in
hopes of restoring some sensation beyond freezer burn.
I could be back home right now, watching reruns of shows
that weren’t good the first time around with Anna. In the house.
Where it’s warm. And with
Anna. Instead, I’m hopping from roof to
roof hoping to retain some small measure of body heat while still making this trip
worthwhile and actually doing something productive.
I am such a
sucker.
A few nice words from her and a pat on the back and I don’t
even ask how high to jump, I just try to reach up and pull a star down for
her. I need to get my head
examined. And a full-body hand warmer I
can wear like thermal underwear. You’d
be surprised how little protection jeans, a hoodie, and a leather biker jacket
are against a wind chill in the negative 7 degree range. My hood’s up and my mask covers the bottom
half of my face, but it still feels like skin’s peeling off each time the wind
screeches.
Nights like these reminds me why I love Spider-Man. No other comic book character has to deal
with crap like this. It also reminds me
why I don’t wear a cape. It takes a
special brand of crazy to rock a cape (like Batman or Moon Knight) or a
god-like near-invincibility (Thor and Superman). An idiot like me goes running around in a
cape and while I’m jumping from one rooftop to the next, the wind gusts up, and
I’m pulled off course enough for gravity to claim my pulpy carcass.
The next building’s two stories taller than the one I’m on,
so I have to aim for the fire escape. It
isn’t a huge target, but I hunch my shoulders and only overshoot it by a little
bit. I bounce off the brick wall and
back into the railing. Then something
pops. I’m five stories up on a fire
escape that I can now see is remarkably shabby and something just popped. The dusty remains of last night’s snowfall
drifts nonchalantly down around me.
Another two pops, like a double-tap, and the fire escape shudders.
Oh God, the bolts are
snapping.
I’m running like my hair’s on fire. Like someone’s chasing me. Like someone’s chasing me after setting my
hair on fire. I hop the railing onto the
first set of stairs and another bolt snaps when I land. I zig up the first flight of stairs and then
zag up the next. The right half of the
fire escape clatters and shakes like it’s just looking for an excuse to come
free from the wall and drag me six stories to the ground. I spin around the sixth story railing and
this time a succession of bolts snap.
Three? Four? Eight?
I can’t tell. What I can tell is
that the whole damn fire escape is now slouching away from the building like a
drunk trying to lean on his buddy’s shoulder to steady him, without realizing
his buddy just walked away to talk to some pretty girl. The drunk’s about to eat sidewalk.
Fuck trying not to disturb the fire escape any further; I
take the stairs three at a time. Bolts
are snapping every time I land. I turn
up the last set of stairs when the fire escape’s finally had enough and pulls
free from the side of the building. I’m
up the last flight in two jumps. I step
on the railing—which I fully expect to snap under my weight—and launch myself
onto the apartment building’s roof.
Considering I can’t think of any practical reasons why
anyone would cover the roof of a building with gravel, I have to assume that
it’s to embarrass up and coming superheroes such as myself. I don’t stick the landing. My feet fly out from under me, my body tries
to roll both forward and sideways simultaneously, and I land in a mess of
flailing limbs. My head bounces off the
gravel a couple times.
I suck.
The fire escape hits the ground like a thousand sheets of
drama-club tin, but rustier. Someone
steps into my field of view. She looks
like she’s in high school. She might be
my age. She has a round face, a silver
ring in her right eyebrow, and a haircut that looks like she wanted to be punk
but couldn’t quite pull the trigger.
She’s also holding a can of what I can only assume is mace. Her eyes are too wide and she can’t focus on
anything. Guess she wasn’t expecting the
fire escape to give out either.
“You should call your
super.”
“You should get the hell off my roof.”
Touché.
“Think anyone would mind if I used the inside stairs? The fire escape kinda…broke.”
It takes her a moment of thinking to decide the stairs are
for residents and unmasked vigilantes only. “All the windows have nice ledges, you can climb down.”
“Are you sure? Cuz I
kinda think that if I move I’ll throw up in my mask…”
She steps back between me and the door and lifts her can of
mace.
“You’re the boss.”
I roll onto my knees and elbows. I can’t tell if it’s my head or the earth
that’s spinning but either way it’s making me nauseous. I close my eyes and take a few deep
breaths. A small, shaky hand presses
against my shoulder. I smell
tobacco. Guess that’s why she was up on
the roof in this godforsaken cold.
“If you’re really that sick, I can walk you down the
stairs.”
“I—hulg—thanks.”
“I still have mace.”
I nod and immediately regret it. “You’ve also still got your dignity. Two-zero, you.”
****
She’s got her arm under my shoulder for the first two
stories worth of stairs before I feel like walking under my own power is a good
idea. It takes another story and a half
before she says anything.
“You’re, like, my age under that mask aren’t you?”
It’s moments like these that I wish I had a more manly
voice. The kinda voice that 80s action
heroes had. A voice that has its own
beard. Hell, I’d settle for my face
having its own beard.
“I guess I can’t expect you to answer that.”
I rub my nonexistent beard and drown in awkwardness.
“I’m sorry I rode your ass with the mace earlier. I recognize you from the news, but you kind
of, ya know, surprised me. But if—if you
are in high school or some shit—that’s
pretty cool. Most people our age are too
busy wondering if they’re zit free or if they’re wearing cool enough clothes to
do anything really meaningful.”
“So does that mean you like my jacket?”
She smiles. It looks
good on her. “Yeah, but, uh, I think
you’d look better in tights, comic book-style.”
****
It takes me awhile to get back home. I’m cold and somewhere between landing on the
no-longer-standing fire escape and being escorted down the apartment building’s
stairwell I cut my leg open from hip to knee, so I’m limping as well. The cut’s not all that deep, but I bounced it
off a rooftop and rubbed it in gravel, so it’s something akin to the world’s
worst paper cut. I change clothes in the
forest preserve a few blocks away and call Anna, letting her know I’m calling
it early tonight. I gloss over the
specifics of my tumble and tell her about the girl who almost maced me. When I mention tights Anna starts laughing. She’s still nearly choking to death when I
hang up.
By the time I get home I’m cold, crabby, and the gauze and
athletic tape deal I’ve wrapped around my leg has started to come loose. I don’t get three steps into the door before
Anna’s in the foyer with me, hot chocolate in one hand and dragging a quilt in
the other. I make a small, pathetic
sound that translates roughly into gratitude beyond words.
Anna Riley.
Five and half feet of soft curves and lean limbs. Wavy, shoulder-length auburn hair hugs her
round, dimpled cheeks. But, like every
lovesick little puppy, I look straight to her eyes. At a distance they look either green or blue
depending on the light, but up close they’re both. Equal parts green and blue, the colors never
muddle together, just dance around each other.
They remind me of a marble I lost when I was seven. She’s almost literally the girl next
door. Her family lives across the street
and two houses down. They’ve been
friends with the Rhodes family since before either family had kids. Anna calls Susan and Paul Aunt and Uncle and
considers Boone a weird brother-cousin hybrid despite not sharing a drop of
blood. She’s had a key to the house
since she was old enough to walk over on her own.
Recently brought into the Rhodes household, I’m aiming for
something a little better than surrogate brother. I’m not entirely sure if it’s going my way
though…
“Susan wants to take a look at your leg as soon as you’re
settled. She’s in the living room.” Anna purses her lips to hide a smile. “She’s not nearly as amused as I am.”
I figured as much.
“Yeah, I’m kinda banking on the fact that mothers aren’t supposed to
beat their kids senseless.” I tilt my
head like I’m thinking, “Do you think that rule still applies for foster
mothers and their fostered children?”
Anna rolls her eyes and trades my bag for the hot chocolate
and then drapes the quilt over my shoulders.
As she’s adjusting the quilt she gives my ass a quick pat.
“And you’d look great
in tights.”
I can’t feel anything but a spastic thudding in my chest as
I wobble into the living room looking for Susan.
I am such a sucker.
This is the first story in a potential collection of tales following this young masked vigilante. The concept for it came from a thought I had: What happens to the C-string superheroes? Everyone who reads comics knows what happens to the C-string villains, they get beaten up by the big time heroes when the writers need a break from all the high octane battles with The Joker, Magneto, or some other Triple-A bad guy. But what about the good guys who only have a modicum of power?
ReplyDeleteThere were a number of other things I was and still am considering but that was the biggest one. It's a bit of a deviation from my usual fare, but I'm really digging it right now so it's pretty likely that I'll be posting more stories in this world in the near future. Hope you like it.